1948-63 HALF DOLLAR BENJAMIN FRANKLIN 
Image courtesy of Heritage Numismatic Auctions
This historical information is provided
complements of NGC (Numismatic Guarantee Corporation). NGC is the
"grading service of choice" of the ANA (American Numismatic
Association), the largest collector oriented organization in the United
States. NGC is one of the two largest independent grading services.
NGC has been grading coins since 1987, and have graded in excess of two
and one half million coins. In 1948, World War II had
given way to an uneasy peace a "Cold War," as presidential
adviser Bernard Baruch so aptly named the new climate of international
tension. The year also witnessed the death of baseball legend Babe Ruth,
the birth of the State of Israel and with his presidential election
upset of Thomas E. Dewey, a new lease on life in the White House for
Harry Truman.
In 1948, an important change took place in U.S. coinage
as well, when the Franklin half dollar made its debut. Its introduction
completed the conversion of U.S. coin designs from allegorical figures
to portraits of famous Americans. It also rang down the curtain on an
era that many regard as the golden age of U.S. coinage art. The
Walking Liberty half dollar, last struck in 1947, was the final
precious-metal coin remaining in production from the early 20th-century
period that spawned the "Mercury" dime, Standing Liberty quarter and
Saint-Gaudens double eagle.
Mint Director Nellie Tayloe Ross had contemplated a coin
honoring Benjamin Franklin ever since seeing a U.S. Mint medal prepared
in Franklin's honor in 1933 by John R. Sinnock, the Mint's chief
sculptor-engraver. Evidence suggests that Ross might have made the
change in the early 1940s, when the half dollar's design, used for the
statutory minimum of 25 years, became eligible for replacement.
Although escalating production demands occasioned by World War II
postponed Ross' plans, she showed her enthusiasm for the project by
directing Sinnock to design a Franklin coin on a contingency basis. It
would be hard to fault Director Ross for her choice of Ben Franklin as a
U.S. coinage subject. Of all the Founding Fathers, Franklin very likely
enjoyed the greatest stature among his contemporaries, not only in this
country but also abroad. He was justly renowned as a printer,
publisher, author, inventor, scientist and diplomat, and he played a
pivotal role in helping the colonies gain their independence by securing
vital aid from France.
In a speech at the unveiling of the Franklin half
dollar, Ross recalled that people had urged her to place Franklin's
portrait on the cent because he was identified so closely with the
maxim "A penny saved is twopence clear" (often misquoted as
"A penny saved is a penny earned"). Ross explained her choice
of the half dollar: "You will agree, I believe, that the
fifty-cent piece, being larger and of silver, lends itself much better
to the production of an impressive effect," she declared.
Sinnock's portrait of Franklin, modeled after a bust by
18th-century sculptor Jean-Antoine Houdon, is bold and clean,
contrasting sharply with the subtle, detailed depiction of Miss Liberty
on the Walking Liberty coin it replaced. LIBERTY is inscribed above the
right-facing portrait, IN GOD WE TRUST below and the date to Franklin's
right. Tucked below Franklin's shoulder are Sinnock's initials, JRS.
The Liberty Bell on the reverse made sense as a
complement to Franklin, since both have become closely identified not
only with the nation's birth but also with the city of Philadelphia.
Three inscriptions are arranged around the bell in the same sans serif
style used on the obverse: UNITED STATES OF AMERICA is above, HALF
DOLLAR below and E PLURIBUS UNUM, in much smaller letters, to the left.
To the right of the bell is a puny-looking eagle. This had been
required by law on the half dollar since 1792 and was reaffirmed by the
Coinage Act of 1873, which mandated the placement of an eagle on every
U.S. silver coin larger than the dime. The eagle was added by Gilroy
Roberts, who completed work on the coin following Sinnock's death in
1947. Understandably, the federal Commission of Fine Arts (an advisory
body) took issue with the eagle's size, but oddly enough, they
disapproved of displaying the crack in the Liberty Bell, arguing that
"to show this might lead to puns and to statements derogatory to
United States coinage." Although the Commission recommended a
design competition, the Treasury Department approved Sinnock's models
without change.
Years later, Sinnock was accused of modeling his
version of the Liberty Bell, without proper credit, on a sketch by
artist John Frederick Lewis. The pilfering first occurred in 1926, when
Sinnock apparently used the sketch in fashioning his design for the
commemorative half dollar marking the sesquicentennial of U.S.
independence. His Franklin half dollar reverse design was patterned, in
turn, on that earlier work. Numismatic reference books now credit Lewis
belatedly for his role.
Although Franklin half dollar mintages were modest by
modern-day standards, the series contains no issues that are
particularly rare. The production low point came in 1953, when the
Philadelphia Mint struck just under 2.8 million examples; the peak
occurred in 1963, when the Denver Mint made just over 67 million.
Franklin halves also were minted in San Francisco. On branch-mint
issues, the D or S mintmark appears above the bell on the reverse. Total
mintage for the series, including proofs, was almost 498 million coins.
Because they are so plentiful, in circulated condition
most Franklin halves bring little or no premium above their bullion
value. A number of dates are elusive, however, in the higher
mint-state grades, especially with fully defined "bell lines"
near the Liberty Bell's bottom. Although the relatively low mintage
1949-D and 1950-D issues are considered "key" dates in the
series, some coins with higher mintages, while common in lower grades,
also command impressive premiums in Mint State-65 and above. These
coins routinely came with weak strikes, and the scarcity of "gems"
is compounded by the fact that few were carefully saved. Dates in this
category include 1960-D, 1961-P and D and 1962-P and D. Proofs were
issued every year from 1950 through 1963 as part of annual proof sets:
over 15.8 million were made. Small numbers of proofs were struck with
cameo contrast, an attractive frosted surface on the devices contrasted
with a polished mirror-like appearance in the fields. These cameo coins
can bring substantial premiums over the prices of ordinary proofs
without such contrast.
A full set of Franklin halves consists of 35 different
business strikes and 14 different proofs. Because it is so compact and
easily affordable in less-than-pristine grades, the series is widely
collected by date and mint. Those with deeper pockets who love a
challenge seek to assemble date-and-mint sets in MS-65 and above or
collections of high-grade proof Franklins with deep cameo contrast.
Points on the design to first show wear are Franklin's cheek, shoulder
and hair behind the ear and the lettering and lines on the Liberty
Bell.
Franklin half dollars were made for just 16 years. The
series was cut short at the end of 1963, when John F. Kennedy's shocking
assassination led to the creation of a new half dollar memorializing
the martyred president.
SPECIFICATIONS:
Diameter: 30.6 millimeters Weight: 12.50 grams Composition:
.900 silver, .100 copper Edge: Reeded Net weight: .36169 ounce
pure silver
IBLOGRAPHY:
Breen, Walter, Walter Breen's Complete Encyclopedia of U.S.
and Colonial Coins, F.C.I. Press/Doubleday, New York, 1988.
Ehrmantraut, Jack, Jr., An Analysis of Gem Franklin Half
Dollars, Five Seasons Publishers, Hiawatha, IA, 1983.
Taxay, Don, The U.S. Mint and Coinage, Arco Publishing
Co., New York, 1966.
Tomaska, Rick Jerry, Cameo and Brilliant Proof Coinage of
the 1950 to 1970 Era, R &I Publications, Encinitas, CA, 1991.
Vermeule, Cornelius, Numismatic Art in America, The
Belknap Press of Harvard University Press, Cambridge, MA, 1971.
Yeoman, R.S., A Guide Book of United States Coins, 47th
Edition, Western Publishing Co., Racine, WI, 1993.
|