1854-56 GOLD DOLLAR INDIAN HEAD LIBERTY TYPE 2 
Image courtesy of Heritage Numismatic Auctions
This historical information is provided
complements of NGC (Numismatic Guarantee Corporation). NGC is the
"grading service of choice" of the ANA (American Numismatic
Association), the largest collector oriented organization in the United
States. NGC is one of the two largest independent grading services.
NGC has been grading coins since 1987, and have graded in excess of two
and one half million coins. In the first 10 years
after the California Gold rush began, some $600 million in gold was
discovered in California as its population exploded from a minuscule
25,000 to more than half a million. The great rush wrought an overnight
transformation in the future Golden State. Indeed, it was responsible
for making California the nation's 31st state: The flood of
Forty-Niners that descended on the region in 1849 opened the door to
statehood the very next year. While much of America teetered on the
brink of civil war, Californians were preoccupied with finding their
personal fortune and staking a permanent claim to it.
The gold rush changed the face of U.S. coinage as well.
The massive amounts of gold emerging from California prompted Congress
to authorize three new denominations a gold dollar, a $3 gold piece and
a double eagle, or $20 gold piece between 1849 and 1854. In large part,
these were intended to help convert the mountain of metal into a form
more usable by the public. Double eagles, of course, accounted for the
bulk of the coins made. Between 1850 and 1854, over eight million were
struck.
The gold dollar and double eagle the smallest and
largest regular-issue gold coins in U.S. history both had their
genesis in the coinage act of March 3, 1849. And both were designed by
James Barton Longacre, the U.S. Mint's chief sculptor-engraver.
Objections arose almost at once to the dollar's tiny
size: At 13 millimeters in diameter, it was more than one-fourth
smaller than today's Roosevelt dime, and critics complained that this
made it easy to lose. Mint officials took these protests seriously, and
over the next few years, test strikes were made of a number of possible
substitutes that were larger in diameter but compensated for this with
center holes.
The process took a different turn in 1853, when James
Ross Snowden became the new director of the Mint. Snowden agreed that
the gold dollar should be larger, but instead of using a hole to keep
the weight the same, he advocated making the coin somewhat thinner. He
assigned Chief Engraver Longacre to make this modification and, at the
same time, to come up with a new design.
Initially, the gold dollar had a head of Liberty much
like the one on the double eagle. By 1854, however, when Snowden
ordered the changes, Longacre had a new model available: He had just
designed the $3 gold piece, and he patterned the new gold dollar after
that. Its obverse features a left-facing portrait of a female figure
wearing a fancy headdress. The female figure is frequently described as
being an "Indian princess," and the coin is commonly known as
the "Indian Head" type. His reverse design shows the date and
denomination within a wreath of corn, cotton, wheat and tobacco.
Renowned numismatic scholar Walter Breen argued persuasively that the
head Longacre used wasn't that of an Indian at all, but rather a copy
of Venus Accroupie, or "Crouching Venus," a Roman
marble figure then on display in a Philadelphia museum. Longacre had
used this same head on the gold dollar and twenty of 1849; he would use
it again on the Indian Head cent and the three-cent nickel, each time
with a different headdress.
Being 15% larger in diameter, this Type 2 gold dollar
was easier to keep track of and less likely to get lost than its
predecessor had been. Unfortunately, however, it had a major shortcoming
of its own: Longacre had made the relief on the obverse too high, and
the overwhelming majority of the coins were less than fully struck as a
result. Very few examples exhibit sharp details in the hair, the word
DOLLAR and the date and even the designer's initial L, located on the
truncation of the bust, is often barely visible. Branch-mint issues are
particularly weak. Key points to check for signs of wear include the
hair over the eye and the bow knot at the base of the wreath.
Because of the striking difficulties, Longacre had to go
back to the drawing board yet again, and the Type 2 dollar lasted only
until 1856 before giving way to a Type 3. During its brief existence,
barely 1.6 million Type 2 examples were produced, with the Philadelphia
(no mintmark) issues of 1854 and 1855 accounting for the vast majority.
The three southern branch mints all made the coin in 1855, but outputs
were extremely small at Dahlonega (D) and Charlotte (C), where mintages
totaled just 1,811 and 9,803, respectively. New Orleans (O) minted
55,000 that year. The new branch in San Francisco (S) was the only mint
to make this type in 1856. As on the other gold dollars, the mintmark
appears below the wreath. Philadelphia struck five proofs in 1854 and
less than fifteen in 1855. The proofs appear very infrequently, usually
only when major collections are sold. An 1854 was in the 1979 Garrett
sale, and 1855s were in the 1978 Bareford and 1982 Eliasberg sales.
Given its relief problems and its small total
population, the Type 2 is exceptionally elusive in mint condition. It
is rare in Mint State-65, and extremely rare above that level. A
complete date-and-mint set of Type 2 gold dollars would consist of just
six coins. But in view of the great rarity of the 1855-C and
particularly the 1855-D, most people collect this as a type coin,
acquiring only one high-grade specimen.
Breen estimates that less than 1% of the Type 2 dollar mintage
still exists in all grades. The coins wore down so quickly when exposed
to circulation that within a few years, much of the total output had
been rendered almost illegible. By then, gold dollars like much of the
nation's coinagehad all but stopped circulating anyway, because of
widespread hoarding during the Civil War.
California may have been the last major bastion of Type 2 gold
dollars in commerce, since U.S. coins in general continued to circulate
there throughout the war. If so, that would have been entirely fitting:
California, after all, is where the gold came from in the first place.
SPECIFICATIONS:
Diameter: 15 millimeters Weight: 1.672 grams Composition:
.900 gold, .100 copper Edge: Reeded Net Weight: .04837 ounce
pure gold
BIBLIOGRAPHY:
Akers, David W., United States Gold Coins, Volume I, Gold
Dollars 1849-1889, Paramount Publications, Englewood, OH, 1975.
Breen, Walter, Walter Breen's Complete Encyclopedia of U.S.
and Colonial Coins, F.C.I. Press/Doubleday, New York, 1988.
Taxay, Don, The U.S. Mint and Coinage, Arco Publishing
Co., New York, 1966.
Winter, Douglas, Charlotte Mint Gold Coins 1838-1861,
Bowers and Merena Galleries, Wolfeboro, NH, 1987.
Winter, Douglas, New Orleans Mint Gold Coins 1839-1909,
Bowers and Merena Galleries, Wolfeboro, NH, 1992.
Yeoman, R.S., A Guide Book of United States Coins, 47th
Edition, Western Publishing Co., Racine, WI, 1993.
|